Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 1Indiana University Press, 1993 |
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Seite 66
... finale aims to disappoint the intersecting but incommensurable desires of differently gen- dered and politicized ... final shot may deprive the spectator of the dubious pleasures of fetishism at the cost of returning her to a psychic ...
... finale aims to disappoint the intersecting but incommensurable desires of differently gen- dered and politicized ... final shot may deprive the spectator of the dubious pleasures of fetishism at the cost of returning her to a psychic ...
Seite 69
... finale of Halloween ( 1978 ) in which Jamie Lee Curtis as the androgynous “ final girl " eludes the psychopath . See Clo- ver for a persuasive interpretation of male spectatorial identification with the " final girl " in horror films ...
... finale of Halloween ( 1978 ) in which Jamie Lee Curtis as the androgynous “ final girl " eludes the psychopath . See Clo- ver for a persuasive interpretation of male spectatorial identification with the " final girl " in horror films ...
Seite 115
... final remarks acquire a particularly sinister irony . Pictured with Clarence reclining on the sofa and reading the Bible ( and it's really amazing that the photographer just happened by at that intimate moment ) , Virginia says , “ Even ...
... final remarks acquire a particularly sinister irony . Pictured with Clarence reclining on the sofa and reading the Bible ( and it's really amazing that the photographer just happened by at that intimate moment ) , Virginia says , “ Even ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Häufige Begriffe und Wortgruppen
academic American analysis Anita Hill argues audience Barthes's beauty become Bigelow Blue Steel body Bram Stoker's Dracula camera Coppola Cornell critical critique D.W. Griffith death debate desire Dirty Harriet discourse Dracula early cinema essay ethnic example experience fantasy fashion model Father Figure Faxon fear female feminine feminism feminist fetishism fiction film theory film's Freud Gauss gay male gender genre George Michael Grieux heterosexual homophobia homosexuality icon intellectual Kristeva look Lost Language love song lyric MacKinnon Marilyn Monroe masculine Medusa Megan melancholia Miller misogyny Monroe's mother movie music video myth narrative novel obsession Photograph political popular culture postmodern professor psychoanalysis question reading representation Roland Barthes role Routledge Sammy and Rosie says scene sequence sexual difference social Stoker's story strigoi studies Tania Modleski taxi driver Teleny television thriller tion tradition Trans vampire viewers Virginia Woolf visual voice woman women writes York Žižek