Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 1Indiana University Press, 1993 |
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Seite 24
... feminine , " see Huyssen . On “ feminine ” and “ masculine ” popular musics ( " pop " and " cock rock " ) , see Frith and McRobbie . On music television and the " feminine , " see Kinder ( " Phallic Film " ) . 25 What follows clearly ...
... feminine , " see Huyssen . On “ feminine ” and “ masculine ” popular musics ( " pop " and " cock rock " ) , see Frith and McRobbie . On music television and the " feminine , " see Kinder ( " Phallic Film " ) . 25 What follows clearly ...
Seite 118
... feminine , which Gilligan's work tends to affirm . In turn , Cornell criticizes Gilligan for rooting her affirmation of the feminine entirely " in the way women are . " Cornell prefers to emphasize with Luce Irigaray that women are ...
... feminine , which Gilligan's work tends to affirm . In turn , Cornell criticizes Gilligan for rooting her affirmation of the feminine entirely " in the way women are . " Cornell prefers to emphasize with Luce Irigaray that women are ...
Seite 119
... feminine specificity in its stead ) . So the question remains as to how one can both address oneself to a legal ... feminine self " ( 217 ) . Unable to claim her feminine heritage , Williams also reflects on the double - bind Fall 1993 119.
... feminine specificity in its stead ) . So the question remains as to how one can both address oneself to a legal ... feminine self " ( 217 ) . Unable to claim her feminine heritage , Williams also reflects on the double - bind Fall 1993 119.
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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academic American analysis Anita Hill argues audience Barthes's beauty become Bigelow Blue Steel body Bram Stoker's Dracula camera Coppola Cornell critical critique D.W. Griffith death debate desire Dirty Harriet discourse Dracula early cinema essay ethnic example experience fantasy fashion model Father Figure Faxon fear female feminine feminism feminist fetishism fiction film theory film's Freud Gauss gay male gender genre George Michael Grieux heterosexual homophobia homosexuality icon intellectual Kristeva look Lost Language love song lyric MacKinnon Marilyn Monroe masculine Medusa Megan melancholia Miller misogyny Monroe's mother movie music video myth narrative novel obsession Photograph political popular culture postmodern professor psychoanalysis question reading representation Roland Barthes role Routledge Sammy and Rosie says scene sequence sexual difference social Stoker's story strigoi studies Tania Modleski taxi driver Teleny television thriller tion tradition Trans vampire viewers Virginia Woolf visual voice woman women writes York Žižek