Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 1Indiana University Press, 1993 |
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Seite 80
... fear : not only Monroe's and by implication Woolf's fears , enacted in their sui- cides ( though many people now doubt that Monroe killed her- self ) , but the fear they evoke in others , a fear that is inseparable from feminism . For ...
... fear : not only Monroe's and by implication Woolf's fears , enacted in their sui- cides ( though many people now doubt that Monroe killed her- self ) , but the fear they evoke in others , a fear that is inseparable from feminism . For ...
Seite 87
... fear in Woolf even as she induces fear in them . A few examples will have to suffice . The first appears in the 1930 Book of Beauty produced by Cecil Beaton , the eminent pho- tographer of " beautiful people , ” including Marilyn Monroe ...
... fear in Woolf even as she induces fear in them . A few examples will have to suffice . The first appears in the 1930 Book of Beauty produced by Cecil Beaton , the eminent pho- tographer of " beautiful people , ” including Marilyn Monroe ...
Seite 93
... fear elicited by the doubling of Woolf and Monroe - not to mention Albee's Martha and Kureishi's Rosie- may well be the fear of the childless woman : the other side or perhaps another manifestation of Žižek's phallic mother . When the ...
... fear elicited by the doubling of Woolf and Monroe - not to mention Albee's Martha and Kureishi's Rosie- may well be the fear of the childless woman : the other side or perhaps another manifestation of Žižek's phallic mother . When the ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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academic American analysis appear argues Barthes Barthes's beauty become begin Blue body calls castration cinema critical culture death desire difference discourse discussion Dracula effect essay example experience face fantasy fashion Father Figure fear female feminine feminism feminist film final Gauss gender George gives homophobic homosexuality human intellectual issue kind knowledge language less look lyric male Marilyn meaning Megan Michael Miller misogyny Monroe mother move myth narrative never novel object once original perhaps Photograph play political popular position postmodern present professor puts question reading relation representation role says scene seems sexual shows social song speak specific story studies suggests taxi Teleny tells theory tion tradition truth turn University vampire Virginia Woolf voice woman women writes York