Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgabe 1Indiana University Press, 1993 |
Im Buch
Ergebnisse 1-3 von 17
Seite 174
... Barthes D.A. Miller Berkeley : U of California P , 1992. 55 pp . Michael du Plessis Incidents is certainly not Barthes at his best . Yet the dust jacket of Richard ... Barthes and Bringing Out Roland Barthes A Miller Michael du Plessis.
... Barthes D.A. Miller Berkeley : U of California P , 1992. 55 pp . Michael du Plessis Incidents is certainly not Barthes at his best . Yet the dust jacket of Richard ... Barthes and Bringing Out Roland Barthes A Miller Michael du Plessis.
Seite 175
... Barthes as a gay man more specifically a white , - first in the Morocco of the late sixties and middle - class gay man - then in the Paris of the late seventies . - The ways in which Barthes's race and class inflect his " gay desire ...
... Barthes as a gay man more specifically a white , - first in the Morocco of the late sixties and middle - class gay man - then in the Paris of the late seventies . - The ways in which Barthes's race and class inflect his " gay desire ...
Seite 177
... Barthes's " reticence , " however , is not without predicaments of its own . " But isn't it time he stood on his own ... Barthes , however anti - homophobically intended , still stops Barthes short of standing on his own , as if Barthes ...
... Barthes's " reticence , " however , is not without predicaments of its own . " But isn't it time he stood on his own ... Barthes , however anti - homophobically intended , still stops Barthes short of standing on his own , as if Barthes ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
academic American analysis appear argues Barthes Barthes's beauty become begin Blue body calls castration cinema critical culture death desire difference discourse discussion Dracula effect essay example experience face fantasy fashion Father Figure fear female feminine feminism feminist film final Gauss gender George gives homophobic homosexuality human intellectual issue kind knowledge language less look lyric male Marilyn meaning Megan Michael Miller misogyny Monroe mother move myth narrative never novel object once original perhaps Photograph play political popular position postmodern present professor puts question reading relation representation role says scene seems sexual shows social song speak specific story studies suggests taxi Teleny tells theory tion tradition truth turn University vampire Virginia Woolf voice woman women writes York