Acting Narrative Speeches: The Actor as StorytellerMeriwether Pub., 2002 - 445 Seiten Narrative speeches, both classical and contemporary, are used to reveal how an actor can discover the inherent energy, the essence and the subtextual colours of every word and sentences of a dramatic speech. This book clearly demonstrates that any memorable performance needs far more than acting technique alone. In eighteen chapters actor/director/teacher McDonough defines in depth how an actor can find the often overlooked subtleties that create characters with dimension and moments of heightened reality. |
Im Buch
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Seite 403
... emphasize . This work starts up front and must be continued throughout rehearsal , so that the text comes into progressively clearer focus . Deciding what to emphasize and how may require weeks , in which you explore the shape of each ...
... emphasize . This work starts up front and must be continued throughout rehearsal , so that the text comes into progressively clearer focus . Deciding what to emphasize and how may require weeks , in which you explore the shape of each ...
Seite 405
... emphasize the endwords . What is the right quality and the right degree of emphasis for each particular endword in your speech ? The emphasis given to each endword should be specifically suited to its sense in the context . Actors of ...
... emphasize the endwords . What is the right quality and the right degree of emphasis for each particular endword in your speech ? The emphasis given to each endword should be specifically suited to its sense in the context . Actors of ...
Seite 407
... emphasize them ( loathsome , hideous , madly , mangled , desperate ) , but they are not essential to the spine in ... emphasize a word which would not ordinarily be emphasized such as an adjective or an adverb or a pronoun - he puts it ...
... emphasize them ( loathsome , hideous , madly , mangled , desperate ) , but they are not essential to the spine in ... emphasize a word which would not ordinarily be emphasized such as an adjective or an adverb or a pronoun - he puts it ...
Inhalt
Preface | 1 |
Chapter 2 | 30 |
Chapter 4 | 61 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acceleration acting action actor Agamemnon Appendix Athi audience beginning body build caesura central moment chair character character's choices circumstances climax Clytemnestra conjure create deceleration develop draft E.E. Cummings emotional emphasize endwords energy example explore expressive eyes fade father feel feet from/to gesture Gus Edwards Hamlet hand happened hear Hotspur I'm Not Rappaport Imagine implicit scene impulses indirect quote inner conflict inside the story Juliet language layered look metaphor moments Monologues move movement narrative speeches onomatopoeia onomatopoetic opposites performance phrase physical play point of view possible pullback Puntila rehearsal reliving rhythm rhythmic Romeo Romeo and Juliet Sam Shepard seam sentence set the scene Shakespeare shape single image slow snake handling sound sense space specific spondee stage syllables talk tell the story telling a story theater Titania transition trochee Tybalt voice Wesley Weston words