A Short History of English Poetry, 1340-1940Heinemann, 1961 - 228 Seiten |
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Seite 6
... writer does not take sides . The vigour and warmth of his narrative and descriptive writing is expended equally on the Christian and the pagan scenes . The import of the myth is that there must be a balance between asceticism and full ...
... writer does not take sides . The vigour and warmth of his narrative and descriptive writing is expended equally on the Christian and the pagan scenes . The import of the myth is that there must be a balance between asceticism and full ...
Seite 108
... writer as writing for the public - in effect , the middle classes . No such thing was possible in the seventeenth century . Writers were obliged to court the favour of men of power , influence and usually title , by flattering odes and ...
... writer as writing for the public - in effect , the middle classes . No such thing was possible in the seventeenth century . Writers were obliged to court the favour of men of power , influence and usually title , by flattering odes and ...
Seite 204
... writing of our own century . The fact is that when it comes to discussing recent or contemporary writing , personal factors and the influence of fashion come into operation , and even the events of our time , like our judgement of those ...
... writing of our own century . The fact is that when it comes to discussing recent or contemporary writing , personal factors and the influence of fashion come into operation , and even the events of our time , like our judgement of those ...
Inhalt
Chaucer I | 1 |
The Fifteenth Century | 15 |
The Early Tudors | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. E. Housman achieved admired anthology appeared artist unknown Augustan ballads beauty became blank verse Browning Byron Cambridge Chaucer Coleridge contemporary critical death diction Donne dramatic Dryden early eighteenth century Elizabethan emotional England English poetry euphuism expression feeling Gawain Georgian heroic couplet history of poetry iambic pentameters ideal imagery imaginative influence interest James Reeves John Keats language later literary literature living London medieval melody Milton mind minor poet modern narrative nature never Oxford passion period Piers Plowman PLATE poems poet poetic political Pope popular prose published readers recognise regarded religious reputation rhymed rhythm rhythmical romantic Romanticism satire sense seventeenth Shakespeare Shelley Shelley's sing Skelton social songs sonnets Spenser spirit stanza style sweet T. S. Eliot taste Tennyson thee theme Thomas thou tradition Victorian W. B. Yeats Wordsworth writing written wrote Wyatt