A Short History of English Poetry, 1340-1940Heinemann, 1961 - 228 Seiten |
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Seite 56
... whole or for the whole , but for the more pleasing and memorable passages . The question arises , indeed , whether there is such a thing as a long poem . Poetry , according to my conception of the English genius , resides in ...
... whole or for the whole , but for the more pleasing and memorable passages . The question arises , indeed , whether there is such a thing as a long poem . Poetry , according to my conception of the English genius , resides in ...
Seite 94
... whole indicates that he is worth taking more seriously . Hesperides - Songs of the West ' - consists of about 1,200 poems , mostly very short , some mere epigrams and squibs of a couple of lines . Many of these could certainly be ...
... whole indicates that he is worth taking more seriously . Hesperides - Songs of the West ' - consists of about 1,200 poems , mostly very short , some mere epigrams and squibs of a couple of lines . Many of these could certainly be ...
Seite 102
... whole , however , Milton must be regarded as the most influential poet , apart from Shakespeare and possibly Spenser , during the whole of the eighteenth and nineteenth centuries . The twelve books of Paradise Lost contain in reality ...
... whole , however , Milton must be regarded as the most influential poet , apart from Shakespeare and possibly Spenser , during the whole of the eighteenth and nineteenth centuries . The twelve books of Paradise Lost contain in reality ...
Inhalt
Chaucer I | 1 |
The Fifteenth Century | 15 |
The Early Tudors | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. E. Housman achieved admired anthology appeared artist unknown Augustan ballads beauty became blank verse Browning Byron Cambridge Chaucer Coleridge contemporary critical death diction Donne dramatic Dryden early eighteenth century Elizabethan emotional England English poetry euphuism expression feeling Gawain Georgian heroic couplet history of poetry iambic pentameters ideal imagery imaginative influence interest James Reeves John Keats language later literary literature living London medieval melody Milton mind minor poet modern narrative nature never Oxford passion period Piers Plowman PLATE poems poet poetic political Pope popular prose published readers recognise regarded religious reputation rhymed rhythm rhythmical romantic Romanticism satire sense seventeenth Shakespeare Shelley Shelley's sing Skelton social songs sonnets Spenser spirit stanza style sweet T. S. Eliot taste Tennyson thee theme Thomas thou tradition Victorian W. B. Yeats Wordsworth writing written wrote Wyatt