A Short History of English Poetry, 1340-1940Heinemann, 1961 - 228 Seiten |
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Seite 44
... verse ; certainly there is much to be said in his favour . His verse is smooth and melodious . He dropped the Petrarchan form of the sonnet and introduced that which was to become the normal form for later poets of the sixteenth century ...
... verse ; certainly there is much to be said in his favour . His verse is smooth and melodious . He dropped the Petrarchan form of the sonnet and introduced that which was to become the normal form for later poets of the sixteenth century ...
Seite 64
... verse pattern for which the Elizabethan lyric is remarkable . The great majority of the lyrics deal with love in all its moods - rapturous , despairing , triumphant , frivolous , tormented , playful , disillusioned . What is remarkable ...
... verse pattern for which the Elizabethan lyric is remarkable . The great majority of the lyrics deal with love in all its moods - rapturous , despairing , triumphant , frivolous , tormented , playful , disillusioned . What is remarkable ...
Seite 133
... verse style , Cowper was a man of prose . All the virtues of his verse - its familiarity , its humour , its eye for the immediate and telling detail , its somewhat apprehensive cheerfulness – are to be found to greater advantage in the ...
... verse style , Cowper was a man of prose . All the virtues of his verse - its familiarity , its humour , its eye for the immediate and telling detail , its somewhat apprehensive cheerfulness – are to be found to greater advantage in the ...
Inhalt
Chaucer I | 1 |
The Fifteenth Century | 15 |
The Early Tudors | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. E. Housman achieved admired anthology appeared artist unknown Augustan ballads beauty became blank verse Browning Byron Cambridge Chaucer Coleridge contemporary critical death diction Donne dramatic Dryden early eighteenth century Elizabethan emotional England English poetry euphuism expression feeling Gawain Georgian heroic couplet history of poetry iambic pentameters ideal imagery imaginative influence interest James Reeves John Keats language later literary literature living London medieval melody Milton mind minor poet modern narrative nature never Oxford passion period Piers Plowman PLATE poems poet poetic political Pope popular prose published readers recognise regarded religious reputation rhymed rhythm rhythmical romantic Romanticism satire sense seventeenth Shakespeare Shelley Shelley's sing Skelton social songs sonnets Spenser spirit stanza style sweet T. S. Eliot taste Tennyson thee theme Thomas thou tradition Victorian W. B. Yeats Wordsworth writing written wrote Wyatt