A Short History of English Poetry, 1340-1940Heinemann, 1961 - 228 Seiten |
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Seite 57
... society as it is and society as , judged by the poet's intuition , it was meant to be . This conflict between the actual and the poetic takes infinitely varied forms : some poets , such as Swift , react violently ; others , such as ...
... society as it is and society as , judged by the poet's intuition , it was meant to be . This conflict between the actual and the poetic takes infinitely varied forms : some poets , such as Swift , react violently ; others , such as ...
Seite 159
... society in general as a monster of immorality , anarchy and atheism . He was anathema to the respectable ; Browning ... society which exiled him , so much as he who rejected society . Paradoxically , he had a sincere , even fanatical ...
... society in general as a monster of immorality , anarchy and atheism . He was anathema to the respectable ; Browning ... society which exiled him , so much as he who rejected society . Paradoxically , he had a sincere , even fanatical ...
Seite 160
... society . The poets met in 1816 , and two years later they went to Italy together . Shelley began to be interested in the writings of Plato , whose views on society and the arts he found increasingly attractive . In 1819 he wrote The ...
... society . The poets met in 1816 , and two years later they went to Italy together . Shelley began to be interested in the writings of Plato , whose views on society and the arts he found increasingly attractive . In 1819 he wrote The ...
Inhalt
Chaucer I | 1 |
The Fifteenth Century | 15 |
The Early Tudors | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. E. Housman achieved admired anthology appeared artist unknown Augustan ballads beauty became blank verse Browning Byron Cambridge Chaucer Coleridge contemporary critical death diction Donne dramatic Dryden early eighteenth century Elizabethan emotional England English poetry euphuism expression feeling Gawain Georgian heroic couplet history of poetry iambic pentameters ideal imagery imaginative influence interest James Reeves John Keats language later literary literature living London medieval melody Milton mind minor poet modern narrative nature never Oxford passion period Piers Plowman PLATE poems poet poetic political Pope popular prose published readers recognise regarded religious reputation rhymed rhythm rhythmical romantic Romanticism satire sense seventeenth Shakespeare Shelley Shelley's sing Skelton social songs sonnets Spenser spirit stanza style sweet T. S. Eliot taste Tennyson thee theme Thomas thou tradition Victorian W. B. Yeats Wordsworth writing written wrote Wyatt