A Short History of English Poetry, 1340-1940Heinemann, 1961 - 228 Seiten |
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Seite 169
... popularity ; even more popular were the Irish Melodies of Byron's friend , Tom Moore . These admirable , though artificial , lyrics were written to be sung to traditional Irish airs , much as Burns had composed words for the airs of ...
... popularity ; even more popular were the Irish Melodies of Byron's friend , Tom Moore . These admirable , though artificial , lyrics were written to be sung to traditional Irish airs , much as Burns had composed words for the airs of ...
Seite 178
... popularity , their work is bound to loom large in any study of nineteenth - century literature . When we come to consider it in the context of English poetry as a whole , however , we have doubts . ALFRED TENNYSON , later LORD TENNYSON ...
... popularity , their work is bound to loom large in any study of nineteenth - century literature . When we come to consider it in the context of English poetry as a whole , however , we have doubts . ALFRED TENNYSON , later LORD TENNYSON ...
Seite 188
... popular in England as in America , but his reputation in both countries has suffered from the over - popularity of certain hackneyed pieces . The New England poets – Emerson , Whittier and Lowell - had considerable influence in America ...
... popular in England as in America , but his reputation in both countries has suffered from the over - popularity of certain hackneyed pieces . The New England poets – Emerson , Whittier and Lowell - had considerable influence in America ...
Inhalt
Chaucer I | 1 |
The Fifteenth Century | 15 |
The Early Tudors | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. E. Housman achieved admired anthology appeared artist unknown Augustan ballads beauty became blank verse Browning Byron Cambridge Chaucer Coleridge contemporary critical death diction Donne dramatic Dryden early eighteenth century Elizabethan emotional England English poetry euphuism expression feeling Gawain Georgian heroic couplet history of poetry iambic pentameters ideal imagery imaginative influence interest James Reeves John Keats language later literary literature living London medieval melody Milton mind minor poet modern narrative nature never Oxford passion period Piers Plowman PLATE poems poet poetic political Pope popular prose published readers recognise regarded religious reputation rhymed rhythm rhythmical romantic Romanticism satire sense seventeenth Shakespeare Shelley Shelley's sing Skelton social songs sonnets Spenser spirit stanza style sweet T. S. Eliot taste Tennyson thee theme Thomas thou tradition Victorian W. B. Yeats Wordsworth writing written wrote Wyatt