A Short History of English Poetry, 1340-1940Heinemann, 1961 - 228 Seiten |
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Seite 27
... original writer was the Dunfermline schoolmaster , ROBERT HENRYSON ( ? 1430- ? 1506 ) , about whose life next to nothing is known for certain . His minor poems and his original variations on themes from Æsop's fables show him to have ...
... original writer was the Dunfermline schoolmaster , ROBERT HENRYSON ( ? 1430- ? 1506 ) , about whose life next to nothing is known for certain . His minor poems and his original variations on themes from Æsop's fables show him to have ...
Seite 121
... original ; but in adapting it , Pope no doubt expressed something in his own boyhood nature . This romanticism broke out again on a few occasions , as in Eloisa to Abelard and the Elegy to the Memory of an Unfortunate Lady . Had there ...
... original ; but in adapting it , Pope no doubt expressed something in his own boyhood nature . This romanticism broke out again on a few occasions , as in Eloisa to Abelard and the Elegy to the Memory of an Unfortunate Lady . Had there ...
Seite 215
... original contributions ever made to English poetry . By the end of the twenties his reputation was firmly established among the most alert readers as one of the best poets of his time and as the leading critical intelligence . About ...
... original contributions ever made to English poetry . By the end of the twenties his reputation was firmly established among the most alert readers as one of the best poets of his time and as the leading critical intelligence . About ...
Inhalt
Chaucer I | 1 |
The Fifteenth Century | 15 |
The Early Tudors | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. E. Housman achieved admired anthology appeared artist unknown Augustan ballads beauty became blank verse Browning Byron Cambridge Chaucer Coleridge contemporary critical death diction Donne dramatic Dryden early eighteenth century Elizabethan emotional England English poetry euphuism expression feeling Gawain Georgian heroic couplet history of poetry iambic pentameters ideal imagery imaginative influence interest James Reeves John Keats language later literary literature living London medieval melody Milton mind minor poet modern narrative nature never Oxford passion period Piers Plowman PLATE poems poet poetic political Pope popular prose published readers recognise regarded religious reputation rhymed rhythm rhythmical romantic Romanticism satire sense seventeenth Shakespeare Shelley Shelley's sing Skelton social songs sonnets Spenser spirit stanza style sweet T. S. Eliot taste Tennyson thee theme Thomas thou tradition Victorian W. B. Yeats Wordsworth writing written wrote Wyatt