A Short History of English Poetry, 1340-1940Heinemann, 1961 - 228 Seiten |
Im Buch
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Seite 4
... lines need use the same repeated letter . There were usually two of such words in the first half of the line , and one ( sometimes two ) in the second half . Not only did this scheme make for monotony , it did to some extent also ...
... lines need use the same repeated letter . There were usually two of such words in the first half of the line , and one ( sometimes two ) in the second half . Not only did this scheme make for monotony , it did to some extent also ...
Seite 5
... lines of Kubla Khan , written four centuries after Piers Plowman , to know the virtue of alliteration treated as a poet's servant , not his master . Outside the writings of Langland and Chaucer , the most interesting and the most wholly ...
... lines of Kubla Khan , written four centuries after Piers Plowman , to know the virtue of alliteration treated as a poet's servant , not his master . Outside the writings of Langland and Chaucer , the most interesting and the most wholly ...
Seite 94
... lines . Many of these could certainly be dispensed with , yet as a whole the book has a serious and coherent purpose . It opens with a dedication to Charles , Prince of Wales , and continues with a statement of the ' argument ' of the ...
... lines . Many of these could certainly be dispensed with , yet as a whole the book has a serious and coherent purpose . It opens with a dedication to Charles , Prince of Wales , and continues with a statement of the ' argument ' of the ...
Inhalt
Chaucer I | 1 |
The Fifteenth Century | 15 |
The Early Tudors | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. E. Housman achieved admired anthology appeared artist unknown Augustan ballads beauty became blank verse Browning Byron Cambridge Chaucer Coleridge contemporary critical death diction Donne dramatic Dryden early eighteenth century Elizabethan emotional England English poetry euphuism expression feeling Gawain Georgian heroic couplet history of poetry iambic pentameters ideal imagery imaginative influence interest James Reeves John Keats language later literary literature living London medieval melody Milton mind minor poet modern narrative nature never Oxford passion period Piers Plowman PLATE poems poet poetic political Pope popular prose published readers recognise regarded religious reputation rhymed rhythm rhythmical romantic Romanticism satire sense seventeenth Shakespeare Shelley Shelley's sing Skelton social songs sonnets Spenser spirit stanza style sweet T. S. Eliot taste Tennyson thee theme Thomas thou tradition Victorian W. B. Yeats Wordsworth writing written wrote Wyatt