A Short History of English Poetry, 1340-1940Heinemann, 1961 - 228 Seiten |
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Seite 40
... interest from a convention to the poet's actual states of mind is bound up with the new interest in man which characterises the Renaissance . We take it so much for granted that an individual man's or woman's state of mind at any given ...
... interest from a convention to the poet's actual states of mind is bound up with the new interest in man which characterises the Renaissance . We take it so much for granted that an individual man's or woman's state of mind at any given ...
Seite 61
... interest . This is not so with the later Elizabethan period . Not less notable than the splendour of the best poetry is the excellence of the average . Men whose talents might have been of small account at any other time composed at ...
... interest . This is not so with the later Elizabethan period . Not less notable than the splendour of the best poetry is the excellence of the average . Men whose talents might have been of small account at any other time composed at ...
Seite 215
... interest in verse drama . Eliot's achievement as a dramatist does not concern us here , but it has secured for him wide recognition at a time when interest in poetry in general has narrowed . Eliot has gained a world reputation as the ...
... interest in verse drama . Eliot's achievement as a dramatist does not concern us here , but it has secured for him wide recognition at a time when interest in poetry in general has narrowed . Eliot has gained a world reputation as the ...
Inhalt
Chaucer I | 1 |
The Fifteenth Century | 15 |
The Early Tudors | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. E. Housman achieved admired anthology appeared artist unknown Augustan ballads beauty became blank verse Browning Byron Cambridge Chaucer Coleridge contemporary critical death diction Donne dramatic Dryden early eighteenth century Elizabethan emotional England English poetry euphuism expression feeling Gawain Georgian heroic couplet history of poetry iambic pentameters ideal imagery imaginative influence interest James Reeves John Keats language later literary literature living London medieval melody Milton mind minor poet modern narrative nature never Oxford passion period Piers Plowman PLATE poems poet poetic political Pope popular prose published readers recognise regarded religious reputation rhymed rhythm rhythmical romantic Romanticism satire sense seventeenth Shakespeare Shelley Shelley's sing Skelton social songs sonnets Spenser spirit stanza style sweet T. S. Eliot taste Tennyson thee theme Thomas thou tradition Victorian W. B. Yeats Wordsworth writing written wrote Wyatt