A Short History of English Poetry, 1340-1940Heinemann, 1961 - 228 Seiten |
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Seite xv
James Reeves. portant sense in which the history of poetry is the development of prosody . But poetry is not prosody , and the non - specialist in particular is entitled to have it treated as something more . One fact which emerges from ...
James Reeves. portant sense in which the history of poetry is the development of prosody . But poetry is not prosody , and the non - specialist in particular is entitled to have it treated as something more . One fact which emerges from ...
Seite 168
... Poetry should surprise by a fine excess . . . . It should strike the reader as a wording of his own highest thoughts and appear almost as a remembrance . ' In ... poems , even the best , are without 168 A SHORT HISTORY OF ENGLISH POETRY.
... Poetry should surprise by a fine excess . . . . It should strike the reader as a wording of his own highest thoughts and appear almost as a remembrance . ' In ... poems , even the best , are without 168 A SHORT HISTORY OF ENGLISH POETRY.
Seite 217
... poems about the railways . On the whole , it seems likely that the most durable poetry of the years immediately before , during and after the second world war was being written by poets who , amid the distractions of politics ...
... poems about the railways . On the whole , it seems likely that the most durable poetry of the years immediately before , during and after the second world war was being written by poets who , amid the distractions of politics ...
Inhalt
Chaucer I | 1 |
The Fifteenth Century | 15 |
The Early Tudors | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. E. Housman achieved admired anthology appeared artist unknown Augustan ballads beauty became blank verse Browning Byron Cambridge Chaucer Coleridge contemporary critical death diction Donne dramatic Dryden early eighteenth century Elizabethan emotional England English poetry euphuism expression feeling Gawain Georgian heroic couplet history of poetry iambic pentameters ideal imagery imaginative influence interest James Reeves John Keats language later literary literature living London medieval melody Milton mind minor poet modern narrative nature never Oxford passion period Piers Plowman PLATE poems poet poetic political Pope popular prose published readers recognise regarded religious reputation rhymed rhythm rhythmical romantic Romanticism satire sense seventeenth Shakespeare Shelley Shelley's sing Skelton social songs sonnets Spenser spirit stanza style sweet T. S. Eliot taste Tennyson thee theme Thomas thou tradition Victorian W. B. Yeats Wordsworth writing written wrote Wyatt