A Short History of English Poetry, 1340-1940Heinemann, 1961 - 228 Seiten |
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Seite 61
... genius of all time ; but it can at least be said that if genius is in any way to be attributed to the spirit of the age , Shakespeare emerged at the moment when he might most confidently be expected . All our judgements of the ...
... genius of all time ; but it can at least be said that if genius is in any way to be attributed to the spirit of the age , Shakespeare emerged at the moment when he might most confidently be expected . All our judgements of the ...
Seite 184
... with the problem of artistic genius and the psychology of the creative mind . These long , obscure works earned for him some very adverse critical comment , and the support of a few readers of 184 A SHORT HISTORY OF ENGLISH POETRY.
... with the problem of artistic genius and the psychology of the creative mind . These long , obscure works earned for him some very adverse critical comment , and the support of a few readers of 184 A SHORT HISTORY OF ENGLISH POETRY.
Seite 196
... genius , and metrical experiments replaced originality . A significant fact about the period is illustrated by the career of Meredith , who began as a minor poet and ended as a novelist of stature . Much of the poetry of the later ...
... genius , and metrical experiments replaced originality . A significant fact about the period is illustrated by the career of Meredith , who began as a minor poet and ended as a novelist of stature . Much of the poetry of the later ...
Inhalt
Chaucer I | 1 |
The Fifteenth Century | 15 |
The Early Tudors | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. E. Housman achieved admired anthology appeared artist unknown Augustan ballads beauty became blank verse Browning Byron Cambridge Chaucer Coleridge contemporary critical death diction Donne dramatic Dryden early eighteenth century Elizabethan emotional England English poetry euphuism expression feeling Gawain Georgian heroic couplet history of poetry iambic pentameters ideal imagery imaginative influence interest James Reeves John Keats language later literary literature living London medieval melody Milton mind minor poet modern narrative nature never Oxford passion period Piers Plowman PLATE poems poet poetic political Pope popular prose published readers recognise regarded religious reputation rhymed rhythm rhythmical romantic Romanticism satire sense seventeenth Shakespeare Shelley Shelley's sing Skelton social songs sonnets Spenser spirit stanza style sweet T. S. Eliot taste Tennyson thee theme Thomas thou tradition Victorian W. B. Yeats Wordsworth writing written wrote Wyatt