A Short History of English Poetry, 1340-1940Heinemann, 1961 - 228 Seiten |
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Seite 57
... called , if it is to be called , a great poem . It is not a great poem because it is long . The ' long poem ' snobbery still exists in critical utterance . A poet who writes only short poems is never willingly accorded full honours by ...
... called , if it is to be called , a great poem . It is not a great poem because it is long . The ' long poem ' snobbery still exists in critical utterance . A poet who writes only short poems is never willingly accorded full honours by ...
Seite 75
... called , and on innovation in form and rhythm . The heirs of the Spenserian tradition were John Fletcher , Thomas Campion , Ben Jonson , Herrick , the Cavalier poets and many other minor figures ; and ultimately Milton himself . They ...
... called , and on innovation in form and rhythm . The heirs of the Spenserian tradition were John Fletcher , Thomas Campion , Ben Jonson , Herrick , the Cavalier poets and many other minor figures ; and ultimately Milton himself . They ...
Seite 109
... called ' heroic ' . But the term is properly reserved for the form perfected by Dryden and adopted by Pope and his imitators in the following century . Dryden himself admitted the influence of Sir John Denham and Edmund Waller , who are ...
... called ' heroic ' . But the term is properly reserved for the form perfected by Dryden and adopted by Pope and his imitators in the following century . Dryden himself admitted the influence of Sir John Denham and Edmund Waller , who are ...
Inhalt
Chaucer I | 1 |
The Fifteenth Century | 15 |
The Early Tudors | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. E. Housman achieved admired anthology appeared artist unknown Augustan ballads beauty became blank verse Browning Byron Cambridge Chaucer Coleridge contemporary critical death diction Donne dramatic Dryden early eighteenth century Elizabethan emotional England English poetry euphuism expression feeling Gawain Georgian heroic couplet history of poetry iambic pentameters ideal imagery imaginative influence interest James Reeves John Keats language later literary literature living London medieval melody Milton mind minor poet modern narrative nature never Oxford passion period Piers Plowman PLATE poems poet poetic political Pope popular prose published readers recognise regarded religious reputation rhymed rhythm rhythmical romantic Romanticism satire sense seventeenth Shakespeare Shelley Shelley's sing Skelton social songs sonnets Spenser spirit stanza style sweet T. S. Eliot taste Tennyson thee theme Thomas thou tradition Victorian W. B. Yeats Wordsworth writing written wrote Wyatt