A Short History of English Poetry, 1340-1940Heinemann, 1961 - 228 Seiten |
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Seite 141
... Wordsworth and Coleridge towards the end of the following decade . WILLIAM WORDSWORTH ( 1770-1850 ) was born in Cumber- land , the son of an attorney , and educated at Hawkshead Grammar School and St John's College , Cambridge . A not ...
... Wordsworth and Coleridge towards the end of the following decade . WILLIAM WORDSWORTH ( 1770-1850 ) was born in Cumber- land , the son of an attorney , and educated at Hawkshead Grammar School and St John's College , Cambridge . A not ...
Seite 144
... Wordsworth was more himself when he forgot theory and the ballad form , and , in Tintern Abbey , returned to the blank verse of Akenside and a mood of introspective calm . In Lines written in Early Spring Wordsworth wrote : Through ...
... Wordsworth was more himself when he forgot theory and the ballad form , and , in Tintern Abbey , returned to the blank verse of Akenside and a mood of introspective calm . In Lines written in Early Spring Wordsworth wrote : Through ...
Seite 147
... Wordsworth himself , as in all his principal works . The poem is an exploration of the theme which obsessed him in the years of his maturity - what to make of life after the animal spirits of youth have subsided and its naked vision ...
... Wordsworth himself , as in all his principal works . The poem is an exploration of the theme which obsessed him in the years of his maturity - what to make of life after the animal spirits of youth have subsided and its naked vision ...
Inhalt
Chaucer I | 1 |
The Fifteenth Century | 15 |
The Early Tudors | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. E. Housman achieved admired anthology appeared artist unknown Augustan ballads beauty became blank verse Browning Byron Cambridge Chaucer Coleridge contemporary critical death diction Donne dramatic Dryden early eighteenth century Elizabethan emotional England English poetry euphuism expression feeling Gawain Georgian heroic couplet history of poetry iambic pentameters ideal imagery imaginative influence interest James Reeves John Keats language later literary literature living London medieval melody Milton mind minor poet modern narrative nature never Oxford passion period Piers Plowman PLATE poems poet poetic political Pope popular prose published readers recognise regarded religious reputation rhymed rhythm rhythmical romantic Romanticism satire sense seventeenth Shakespeare Shelley Shelley's sing Skelton social songs sonnets Spenser spirit stanza style sweet T. S. Eliot taste Tennyson thee theme Thomas thou tradition Victorian W. B. Yeats Wordsworth writing written wrote Wyatt