A Short History of English Poetry, 1340-1940Heinemann, 1961 - 228 Seiten |
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Seite 83
... Italy Crashaw came under the influence of Spanish and Italian mystical writers ; eighteenth - century critics who did not understand the baroque convention , with its love of the flamboyant , condemned what they considered Crashaw's ex ...
... Italy Crashaw came under the influence of Spanish and Italian mystical writers ; eighteenth - century critics who did not understand the baroque convention , with its love of the flamboyant , condemned what they considered Crashaw's ex ...
Seite 156
... Italy for the remainder of his life , enjoying an immense poetic reputation and a series of sensational love affairs . He became identified with the cause of Italian liberation , and his name was revered there , as elsewhere , as that ...
... Italy for the remainder of his life , enjoying an immense poetic reputation and a series of sensational love affairs . He became identified with the cause of Italian liberation , and his name was revered there , as elsewhere , as that ...
Seite 187
... Italy , which he always loved because of the serenity and warmth of its climate , and the natural capacity of its people for enjoying life . When Browning was gratifying the taste of the Victorian middle classes for moralistic ...
... Italy , which he always loved because of the serenity and warmth of its climate , and the natural capacity of its people for enjoying life . When Browning was gratifying the taste of the Victorian middle classes for moralistic ...
Inhalt
Chaucer I | 1 |
The Fifteenth Century | 15 |
The Early Tudors | 31 |
Urheberrecht | |
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A. E. Housman achieved admired anthology appeared artist unknown Augustan ballads beauty became blank verse Browning Byron Cambridge Chaucer Coleridge contemporary critical death diction Donne dramatic Dryden early eighteenth century Elizabethan emotional England English poetry euphuism expression feeling Gawain Georgian heroic couplet history of poetry iambic pentameters ideal imagery imaginative influence interest James Reeves John Keats language later literary literature living London medieval melody Milton mind minor poet modern narrative nature never Oxford passion period Piers Plowman PLATE poems poet poetic political Pope popular prose published readers recognise regarded religious reputation rhymed rhythm rhythmical romantic Romanticism satire sense seventeenth Shakespeare Shelley Shelley's sing Skelton social songs sonnets Spenser spirit stanza style sweet T. S. Eliot taste Tennyson thee theme Thomas thou tradition Victorian W. B. Yeats Wordsworth writing written wrote Wyatt