A Short History of English Poetry, 1340-1940Heinemann, 1961 - 228 Seiten |
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Seite 121
... Gothic , Pope was before his time . It is not easy to realise that that strange piece of medievalism , Eloisa to Abelard , which for once it would be mistaken to call ' mock ' , was written at least as early as 1717. It implies an ...
... Gothic , Pope was before his time . It is not easy to realise that that strange piece of medievalism , Eloisa to Abelard , which for once it would be mistaken to call ' mock ' , was written at least as early as 1717. It implies an ...
Seite 125
... meditation , The Grave ( 1743 ) , is in similar vein , and may be said to extract the Gothic elements from Macbeth for eighteenth - century readers . In 1744 appeared the first edition of Dr Mark Akenside's THE AGE OF PROSE 1725-1785 125.
... meditation , The Grave ( 1743 ) , is in similar vein , and may be said to extract the Gothic elements from Macbeth for eighteenth - century readers . In 1744 appeared the first edition of Dr Mark Akenside's THE AGE OF PROSE 1725-1785 125.
Seite 135
... Gothic is a sincere lyric impulse . Chatterton really lived more in the Middle Ages than in his own day , and we may thus see him as one of the transmitters of an almost forgotten past to the poets who came after him . What he found in ...
... Gothic is a sincere lyric impulse . Chatterton really lived more in the Middle Ages than in his own day , and we may thus see him as one of the transmitters of an almost forgotten past to the poets who came after him . What he found in ...
Inhalt
Chaucer I | 1 |
The Fifteenth Century | 15 |
The Early Tudors | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. E. Housman achieved admired anthology appeared artist unknown Augustan ballads beauty became blank verse Browning Byron Cambridge Chaucer Coleridge contemporary critical death diction Donne dramatic Dryden early eighteenth century Elizabethan emotional England English poetry euphuism expression feeling Gawain Georgian heroic couplet history of poetry iambic pentameters ideal imagery imaginative influence interest James Reeves John Keats language later literary literature living London medieval melody Milton mind minor poet modern narrative nature never Oxford passion period Piers Plowman PLATE poems poet poetic political Pope popular prose published readers recognise regarded religious reputation rhymed rhythm rhythmical romantic Romanticism satire sense seventeenth Shakespeare Shelley Shelley's sing Skelton social songs sonnets Spenser spirit stanza style sweet T. S. Eliot taste Tennyson thee theme Thomas thou tradition Victorian W. B. Yeats Wordsworth writing written wrote Wyatt