A Short History of English Poetry, 1340-1940Heinemann, 1961 - 228 Seiten |
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Seite 53
... Cambridge . While at Cambridge he published some minor poems , and formed a friendship with Gabriel Harvey . Later he was introduced to Sidney's Leicester House circle . A movement led by Harvey in favour of imitating and naturalising ...
... Cambridge . While at Cambridge he published some minor poems , and formed a friendship with Gabriel Harvey . Later he was introduced to Sidney's Leicester House circle . A movement led by Harvey in favour of imitating and naturalising ...
Seite 88
James Reeves. Ye fields of Cambridge , our dear Cambridge , say Have ye not seen us walking every day ? Was there a tree about which did not know The love betwixt us two ? Henceforth , ye gentle trees , for ever fade ; Or your sad ...
James Reeves. Ye fields of Cambridge , our dear Cambridge , say Have ye not seen us walking every day ? Was there a tree about which did not know The love betwixt us two ? Henceforth , ye gentle trees , for ever fade ; Or your sad ...
Seite 224
... Cambridge ; the Master and Fellows of Jesus College , Cam- bridge ; the Houghton Library , Harvard University ; the Syndics of the Fitzwilliam Museum , Cambridge ; the Trustees of the Scottish National Galleries ; and the owners of ...
... Cambridge ; the Master and Fellows of Jesus College , Cam- bridge ; the Houghton Library , Harvard University ; the Syndics of the Fitzwilliam Museum , Cambridge ; the Trustees of the Scottish National Galleries ; and the owners of ...
Inhalt
Chaucer I | 1 |
The Fifteenth Century | 15 |
The Early Tudors | 31 |
Urheberrecht | |
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A. E. Housman achieved admired anthology appeared artist unknown Augustan ballads beauty became blank verse Browning Byron Cambridge Chaucer Coleridge contemporary critical death diction Donne dramatic Dryden early eighteenth century Elizabethan emotional England English poetry euphuism expression feeling Gawain Georgian heroic couplet history of poetry iambic pentameters ideal imagery imaginative influence interest James Reeves John Keats language later literary literature living London medieval melody Milton mind minor poet modern narrative nature never Oxford passion period Piers Plowman PLATE poems poet poetic political Pope popular prose published readers recognise regarded religious reputation rhymed rhythm rhythmical romantic Romanticism satire sense seventeenth Shakespeare Shelley Shelley's sing Skelton social songs sonnets Spenser spirit stanza style sweet T. S. Eliot taste Tennyson thee theme Thomas thou tradition Victorian W. B. Yeats Wordsworth writing written wrote Wyatt