Themes and Conventions of Elizabethan TragedyThe University Press, 1935 - 275 Seiten |
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Seite 48
... contrast , in his careless , impregnable stupidity , with the anguish of the main characters . Antonio adopts the rôle of a fool ; he even wishes really to be a fool , because the fool , who cannot sense the miseries of the world , is ...
... contrast , in his careless , impregnable stupidity , with the anguish of the main characters . Antonio adopts the rôle of a fool ; he even wishes really to be a fool , because the fool , who cannot sense the miseries of the world , is ...
Seite 89
... contrast of the " wide mouthed porch " and " little , little wicket " , but it is still quite simply done ( by the straightforward action of the adjectives ) . Still the passage gives Antonio's feelings , and ' sentence " but an ...
... contrast of the " wide mouthed porch " and " little , little wicket " , but it is still quite simply done ( by the straightforward action of the adjectives ) . Still the passage gives Antonio's feelings , and ' sentence " but an ...
Seite 130
... contrast between the intention and the calculated emotionalism of the speech . Compared with this , the hypocrisy of the Machiavel or the double rôle of the disguised Revenger are kept away from their true selves , which emerge in ...
... contrast between the intention and the calculated emotionalism of the speech . Compared with this , the hypocrisy of the Machiavel or the double rôle of the disguised Revenger are kept away from their true selves , which emerge in ...
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Häufige Begriffe und Wortgruppen
action actor Alsemero Antonio and Mellida Antonio's Revenge Atheist's Tragedy attitude audience Barabas Beatrice-Joanna Bianca blood bluff soldier Bosola Brachiano brother Bussy D'Ambois Cardinal Chapman characterisation characters Charlemont chaste clown comedy comic contrast conventions criticism crown Cupid's Revenge D'Amville death Deflores dialogue disguise dramatists Duchess of Malfi Duke dumb show effect Elizabethan drama Faustus feeling figures Fletcher Ford generalised Heaven hell hero Hippolito honour imagery induction Isabella Jew of Malta Jonson judgment kind King Leantio Lear Livia Love's lover lust Lust's Dominion Machiavel Malcontent Marlowe marriage masque Massinger method Middleton moral murder narrative natural never Othello passages patterned speech peripeteia Pity poetic poison repentance Revenge plays Revenger's Tragedy rôle says scene Sejanus Shakespeare soliloquy soul Spanish Tragedy stage story Tamburlaine thee theme thou tion Tourneur verse Vide villain Vindice Vindice's Vittoria Webster White Devil whole Whore words writers Zenocrate