Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 39Gale Research Company, 1984 The series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 1 through 10 present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 11-26 focus on the history of Shakespeare's plays on the stage and in important film adaptations. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. Starting with Vol. 57 the series provides general criticism published since 1990 and historical criticism not featured in previous volumes on four to five plays or works per volume. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. |
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Seite 8
... figure are precisely what make Henry V so resistant to modern criticism's at- tempts at appropriating him for a post - Enlightenment humanism.10 The king's identity coalesces and his power intensifies as he unifies those territories ...
... figure are precisely what make Henry V so resistant to modern criticism's at- tempts at appropriating him for a post - Enlightenment humanism.10 The king's identity coalesces and his power intensifies as he unifies those territories ...
Seite 172
... figures against a seascape that is also a vast battle picture . Richard also imagines himself as a figure in a seascape , but for him the contrast between the vast setting and the small human figure is a chal- lenge : Why then I do but ...
... figures against a seascape that is also a vast battle picture . Richard also imagines himself as a figure in a seascape , but for him the contrast between the vast setting and the small human figure is a chal- lenge : Why then I do but ...
Seite 399
... figure 16 : 183 ; 25 : 109 as Vice figure 1 : 342 , 361 , 366 , 374 flattery 22 : 395 gender issues 13 : 183 ; 25 : 151 Hal as the central character 1 : 286 , 290 , 314 , 317 , 326 , 338 , 354 , 366 , 374 , 396 ; 39 : 72 , 100 dual ...
... figure 16 : 183 ; 25 : 109 as Vice figure 1 : 342 , 361 , 366 , 374 flattery 22 : 395 gender issues 13 : 183 ; 25 : 151 Hal as the central character 1 : 286 , 290 , 314 , 317 , 326 , 338 , 354 , 366 , 374 , 396 ; 39 : 72 , 100 dual ...
Inhalt
Kingship | 1 |
Henry IV 1 and 2 | 72 |
Henry VI 1 2 and 3 | 153 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action argues audience Aumerle authority battle become blood body Bolingbroke Cade carnival ceremony character chronicle civic progress claim comedy comic coronation critics crown death divine doth dramatic Duke E. M. W. Tillyard earlier Edward Elizabeth Elizabethan England English Falstaff father force French Gaunt Gloucester Gorboduc Hal's Hamlet hath Henriad Henry IV plays Henry VI Henry's Holinshed honour Hotspur human ideal John justice King Henry King Lear king's kingship Lancastrian language Lear lines London Lord Machiavelli majesty Metadrama metaphor monarch moral Mowbray murder nature noble Percy play's political Prince Hal queen rebellion rebels reign Renaissance rhetorical Richard Richard II ritual role royal says scene sense Shake Shakespeare Shakespeare's History Plays soliloquy speare's speech stage Talbot tetralogy thee thou throne tion traditional tragedy tragic Tudor Tudor myth University Press usurpation virtues wisdom words York York's Yorkist