Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 39Gale Research Company, 1984 The series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Volumes 1 through 10 present critical overviews of each play and feature criticism from the 17th century to the present. Volumes 11-26 focus on the history of Shakespeare's plays on the stage and in important film adaptations. Volumes 27-56 focus on criticism published after 1960 and provide readers with thematic approaches to Shakespeare's works. Starting with Vol. 57 the series provides general criticism published since 1990 and historical criticism not featured in previous volumes on four to five plays or works per volume. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. |
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Seite 72
... critics past and present have held that the " education " of the prince is the primary focus of the two plays . Hal's relationship with and subsequent rejection of Falstaff has also been an issue treated unrelentingly by critics over ...
... critics past and present have held that the " education " of the prince is the primary focus of the two plays . Hal's relationship with and subsequent rejection of Falstaff has also been an issue treated unrelentingly by critics over ...
Seite 153
... critics have concluded that Shakespeare was the sole author and that the or- der of composition is of little importance . The notion that Shakespeare's English history plays depict a provi- dential pattern or design that controls the ...
... critics have concluded that Shakespeare was the sole author and that the or- der of composition is of little importance . The notion that Shakespeare's English history plays depict a provi- dential pattern or design that controls the ...
Seite 154
... critics who address this sub- ject have asserted that the trilogy is unified through the development of the theme of civil disorder . An- other topic that recurs in modern commentary is the relation of the Henry VI trilogy to Richard ...
... critics who address this sub- ject have asserted that the trilogy is unified through the development of the theme of civil disorder . An- other topic that recurs in modern commentary is the relation of the Henry VI trilogy to Richard ...
Inhalt
Kingship | 1 |
Henry IV 1 and 2 | 72 |
Henry VI 1 2 and 3 | 153 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action argues audience Aumerle authority battle become blood body Bolingbroke Cade carnival ceremony character chronicle civic progress claim comedy comic coronation critics crown death divine doth dramatic Duke E. M. W. Tillyard earlier Edward Elizabeth Elizabethan England English Falstaff father force French Gaunt Gloucester Gorboduc Hal's Hamlet hath Henriad Henry IV plays Henry VI Henry's Holinshed honour Hotspur human ideal John justice King Henry King Lear king's kingship Lancastrian language Lear lines London Lord Machiavelli majesty Metadrama metaphor monarch moral Mowbray murder nature noble Percy play's political Prince Hal queen rebellion rebels reign Renaissance rhetorical Richard Richard II ritual role royal says scene sense Shake Shakespeare Shakespeare's History Plays soliloquy speare's speech stage Talbot tetralogy thee thou throne tion traditional tragedy tragic Tudor Tudor myth University Press usurpation virtues wisdom words York York's Yorkist