Reflections: Essays, Aphorisms, Autobiographical Writing
Schocken Books, 1986 - 348 Seiten
A companion volume to Illuminations, the first collection of Walter Benjamin's writings, Reflections presents a further sampling of his wide-ranging work. Here Benjamin evolves a theory of language as the medium of all creation, discusses theater and surrealism, reminisces about Berlin in the 1920s, recalls conversations with Bertolt Brecht, and provides travelogues of various cities, including Moscow under Stalin. He moves seamlessly from literary criticism to autobiography to philosophical-theological speculations, cementing his reputation as one of the greatest and most versatile writers of the twentieth century. Also included is a new preface by Leon Wieseltier that explores Benjamin's continued relevance for our times.
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My criticism of proletarian writers of Becher's type Brecht found too abstract. He
tried to improve it with an analysis of the Becher poem printed in one of the latest
numbers of one of the official proletarian literary journals under the title "I Say in ...
This didactic poem was a model. ... Brecht said on this occasion that he had long
intended to write a series of such model poems for different professions —
engineer, writer. On the other hand, Brecht compares Becher's poem to
Recognition of his moderation should not be neglected in the volume of poems;
that life, despite Hitler, goes on, that there will aways be children. Brecht thinks of
an age without history, of which his poem to sculptors gives a portrait, and about
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We can remark in passing that there is no better starting point for thought than laughter. In particular, thought usually has a better chance when one is shaken by laughter than when one’s mind is ... Vollständige Rezension lesen
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