Bertolt Brecht Journals, 1934-55
Bloomsbury Publishing, 14.07.2016 - 576 Seiten
"Those who dismiss Brecht as a yea-sayer to Stalinism are advised to read these journals and moderate their opinion." (Paul Bailey, Weekend Telegraph)
"A marvellous, motley collage of political ideas, domestic detail, artistic debate, poems, photographs and cuttings from newspapers and magazines, assembled, undoubtedly for posterity by one of the great writers of the century" (New Statesman and Society)
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Turandot or the Whitewashers' Congress) Berliner Ensemble Adaptations (The Tutor, Coriolanus, The Trial of Joan of Arc at Rouen, 1431, Trumpets and Drums, Don Juan) PROSE Brecht on Art and Politics Brecht on Film and Radio Brecht on ...
Picasso's Guernica at the Paris Exhibition of 1937, the films of Jean Renoir and René Clair, the documentaries of ... the (tamer and worseproduced) Penguin New Writing; the documentary movement inspired the British Army Film Unit.
Gold Medal, and in postFascist Italy the whole of this culture got a new impetus through Elio Vittorini's review Politechnico and the neoRealist film. But the slow decline into the mediocrities of PostModernism was already under way.
He starts by mingling with his German fellowexiles, whether from the world of literature, the films or the old Berlin theatre, ... He tries to write film stories without much success; these are not on the whole very good.
... and the organic whole dies. naturally one could also make a concrete study of montage. (in IVENS' film ZUIDERZEE, which shows the reclamation of fertile earth and the parallel destruction of the fruits of the earth in other places.)