Bertolt Brecht Journals, 1934-55Bloomsbury Publishing, 14.07.2016 - 576 Seiten "Those who dismiss Brecht as a yea-sayer to Stalinism are advised to read these journals and moderate their opinion." (Paul Bailey, Weekend Telegraph)
"A marvellous, motley collage of political ideas, domestic detail, artistic debate, poems, photographs and cuttings from newspapers and magazines, assembled, undoubtedly for posterity by one of the great writers of the century" (New Statesman and Society) |
Im Buch
Ergebnisse 1-5 von 46
... audience. Brecht realised from the outset that not everything could be done at once, and that the ascetic, didactic forms of his last Berlin productions two decades earlier would be too much of a shock. 'Of course, it is only as epic as ...
... audience wants to stop the scene, empathy is to be sedulously controlled, otherwise the whole thing is a dead loss. the montage, a process that has been so thoroughly condemned, arose here out of letters from dudow who needed something ...
... audience had the necessary detachment. even somebody empathising without thinking must now feel the aeffect when he empathises with galileo. with rigidly epic presentation an acceptable empathy occurs. january 39 koltsov too arrested in ...
... audience want both to be diverted and to be converted and they must want to be both – because of the daily warfare. The new theatre is simply the theatre of the man who has begun to help himself. in three hundred years of organisation ...
... audience is not entirely 'carried away'; it need not conform psychologically, adopt a fatalistic attitude towards fate as portrayed. (it can feel anger where the character feels joy, and so on. it is free, and sometimes even encouraged ...
Inhalt
24 | |
July 1941 to 5 November 1947 | 40 |
December 1947 to 20 October 1948 | 46 |
October 1948 to 18 July 1955 | 47 |
Editorial Notes | 56 |
Select Bibliography | 57 |