Bertolt Brecht Journals, 1934-55Bloomsbury Publishing, 14.07.2016 - 576 Seiten "Those who dismiss Brecht as a yea-sayer to Stalinism are advised to read these journals and moderate their opinion." (Paul Bailey, Weekend Telegraph)
"A marvellous, motley collage of political ideas, domestic detail, artistic debate, poems, photographs and cuttings from newspapers and magazines, assembled, undoubtedly for posterity by one of the great writers of the century" (New Statesman and Society) |
Im Buch
Ergebnisse 1-5 von 43
Bertolt Brecht. police, the Nazi invaders of Denmark, the watchdogs of the Communist Party, his household, the women closest to him? About these last he says very little – much less than in the earlier diary – and maybe he meant to ...
... Communist cultural policy came to an end. Brecht saw clearly enough that culture in the Soviet and KPD (or German Communist Party) reckoning was 'Kulturpolitik', an amalgam of its political and artistic aspects as interpreted by ...
... Communist culture might have gone another way. This was the way that had appeared most likely only two or three years earlier, when the newly exiled Brecht, having finished his major work the Threepenny Novel, set out for Moscow, Paris ...
... Communist infiltration of the motionpicture industry' rather than his relations with the Eisler brothers, whom their sister Ruth Fischer had denounced to the FBI a little wildly along with Brecht. This final association with the ...
... Communist doctorplaywright who had preceded him as a guest of Theatre Union in 1935, and Herbert Jhering the critic who had promoted him since 1922; then there was the power of Mother Courage, in whose Zurich production the new ...
Inhalt
24 | |
July 1941 to 5 November 1947 | 40 |
December 1947 to 20 October 1948 | 46 |
October 1948 to 18 July 1955 | 47 |
Editorial Notes | 56 |
Select Bibliography | 57 |