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Seite 54
[ 1.11.225 ] At this juncture Mr. Macready , without turning his face or changing his attitude , tone of voice ... he had made a short pause , and with the fixed eye of abstract and profound consideration turned his face from them ...
[ 1.11.225 ] At this juncture Mr. Macready , without turning his face or changing his attitude , tone of voice ... he had made a short pause , and with the fixed eye of abstract and profound consideration turned his face from them ...
Seite 60
Turning to the quarter whence the sibilation proceeded , he bowed derisively , then staggered back and sank into a chair ... which contrasted strangely with his turned - down white collar ( an unusual mode of wearing the collar at that ...
Turning to the quarter whence the sibilation proceeded , he bowed derisively , then staggered back and sank into a chair ... which contrasted strangely with his turned - down white collar ( an unusual mode of wearing the collar at that ...
Seite 307
When Hamlet learned who the corpse was he turned in tears to Horatio , who put his arms around him to comfort him . Nonetheless , when Laertes leapt into the grave , Hamlet came forward and announced himself with self - controlled anger ...
When Hamlet learned who the corpse was he turned in tears to Horatio , who put his arms around him to comfort him . Nonetheless , when Laertes leapt into the grave , Hamlet came forward and announced himself with self - controlled anger ...
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acting action actor admirable appearance audience beautiful become beginning better Booth called character Claudius close course court critic death direction effect emotion English expression eyes face fact father Fechter feeling final force Garrick Gertrude Ghost Gielgud give given Hamlet hand Henry Horatio idea impression interpretation Irving John Kean Kemble King Laertes later less light lines living London look manner means mind mother moving nature never night observed Olivier once opening Ophelia passion performance perhaps person play players Polonius present prince production Queen question reading reason role scene seems seen sense Shakespeare soliloquy speak speech spirit stage suggested Theatre thing thought tion tragedy turned voice whole York young
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810379708, 9780810379701 |
| Zitat exportieren | BiBTeX EndNote RefMan |