Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 54
... turned suddenly and rushed down to his starting place , and uttered Indeed , indeed , sirs , but this troubles me ; [ I.ii.224 ] then , standing between Horatio , on his left hand , and Mar- cellus and Bernardo on his right , he ...
... turned suddenly and rushed down to his starting place , and uttered Indeed , indeed , sirs , but this troubles me ; [ I.ii.224 ] then , standing between Horatio , on his left hand , and Mar- cellus and Bernardo on his right , he ...
Seite 60
... turned - down white collar ( an unusual mode of wearing the collar at that time ) , his jaw set like a bull - dog's , his arms folded on his broad chest . As he rose and faced his would - be assailants , he looked exactly as he used to ...
... turned - down white collar ( an unusual mode of wearing the collar at that time ) , his jaw set like a bull - dog's , his arms folded on his broad chest . As he rose and faced his would - be assailants , he looked exactly as he used to ...
Seite 307
... turned in tears to Hora- tio , who put his arms around him to comfort him . None- theless , when Laertes leapt into the grave , Hamlet came forward and announced himself with self - controlled anger . He never entered the grave , and ...
... turned in tears to Hora- tio , who put his arms around him to comfort him . None- theless , when Laertes leapt into the grave , Hamlet came forward and announced himself with self - controlled anger . He never entered the grave , and ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young