Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 41
... tone , such as is used by forward boys and girls on their introduction into the world , when they wish to excite attention to their abortive bon - mots and unfledged sarcasms . Then in what manner did he treat the gentle Ophelia ? What ...
... tone , such as is used by forward boys and girls on their introduction into the world , when they wish to excite attention to their abortive bon - mots and unfledged sarcasms . Then in what manner did he treat the gentle Ophelia ? What ...
Seite 54
... tone of voice , or expression of countenance , or waiting a single second of time , proceeded rapidly- Arm'd , say you ? All . Arm'd , my lord ! Ham . All . From head to foot . From top to toe ? Ham . Then saw you not his face ? [ I.ii ...
... tone of voice , or expression of countenance , or waiting a single second of time , proceeded rapidly- Arm'd , say you ? All . Arm'd , my lord ! Ham . All . From head to foot . From top to toe ? Ham . Then saw you not his face ? [ I.ii ...
Seite 70
... tone , like an old pic- ture . The charm of the finest portraits — of Ra- phael's ' Julius ' or ' Leo , ' of Titian's ' Francis I. ' or ' Ippolita di Medici , ' of Vandyck's ' Charles I .'- is not the drawing , or even the coloring , so ...
... tone , like an old pic- ture . The charm of the finest portraits — of Ra- phael's ' Julius ' or ' Leo , ' of Titian's ' Francis I. ' or ' Ippolita di Medici , ' of Vandyck's ' Charles I .'- is not the drawing , or even the coloring , so ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young