Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
Im Buch
Ergebnisse 1-3 von 82
Seite 55
... and suggested the comparison , may seem a far - fetched as well as absurd idea ; but if Shakespeare wrote " hernshaw ” —as has been suggested — this would have been the only occasion of his use of that word throughout his works ...
... and suggested the comparison , may seem a far - fetched as well as absurd idea ; but if Shakespeare wrote " hernshaw ” —as has been suggested — this would have been the only occasion of his use of that word throughout his works ...
Seite 263
There was not enough to suggest the man who could “ kill so crudely ” ( David Benedictus , The Spectator ... indeed , a woman critic ( Penelope Gilliatt , Observer , 22 August , 1965 ) suggested that she should have been playing Hamlet ...
There was not enough to suggest the man who could “ kill so crudely ” ( David Benedictus , The Spectator ... indeed , a woman critic ( Penelope Gilliatt , Observer , 22 August , 1965 ) suggested that she should have been playing Hamlet ...
Seite 360
Everything that might suggest the clear - cut profile , the lithe and flexible body , the elegance of voice and of carriage ... I have heard it suggested that the striking contrast between the hero and his surroundings was deliberate ...
Everything that might suggest the clear - cut profile , the lithe and flexible body , the elegance of voice and of carriage ... I have heard it suggested that the striking contrast between the hero and his surroundings was deliberate ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
acting action actor admirable appearance audience beautiful become beginning better Booth called character Claudius close course court critic death direction effect emotion English expression eyes face fact father Fechter feeling final force Garrick Gertrude Ghost Gielgud give given Hamlet hand Henry Horatio idea impression interpretation Irving John Kean Kemble King Laertes later less light lines living London look manner means mind mother moving nature never night observed Olivier once opening Ophelia passion performance perhaps person play players Polonius present prince production Queen question reading reason role scene seems seen sense Shakespeare soliloquy speak speech spirit stage suggested Theatre thing thought tion tragedy turned voice whole York young