Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
Im Buch
Ergebnisse 1-3 von 83
Seite 27
... speech is restored , and the exclamation , " O horrible , most horrible , " is given to Hamlet in order to break the length of the speech . The Ghost only once urges Horatio and Marcellus to swear as Hamlet presents the hilt of his ...
... speech is restored , and the exclamation , " O horrible , most horrible , " is given to Hamlet in order to break the length of the speech . The Ghost only once urges Horatio and Marcellus to swear as Hamlet presents the hilt of his ...
Seite 277
... speech not in order to reexperience an old delight ( his fond description of the speech [ 434-45 ] is cut ) but because he vaguely remembers that it tells of the slaughter of a revered king . The plan to use a play to unmask Claudius is ...
... speech not in order to reexperience an old delight ( his fond description of the speech [ 434-45 ] is cut ) but because he vaguely remembers that it tells of the slaughter of a revered king . The plan to use a play to unmask Claudius is ...
Seite 355
... speech to another person . A few of these take place , illustrated by Wood's change in I.i.140 , where Bernardo is given a speech instead of Marcellus - as also at I.i.157 . Others occasionally reshift the Bernardo- Marcellus speeches ...
... speech to another person . A few of these take place , illustrated by Wood's change in I.i.140 , where Bernardo is given a speech instead of Marcellus - as also at I.i.157 . Others occasionally reshift the Bernardo- Marcellus speeches ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young