Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 271
Most noticeable by his blotched face and rasping voice is Roger Livesey , in turn the chief of the Players , Lucianus in the dumbshow , and the Gravedigger . Courtiers , Players , Sailors , Servants — the actors switch parts , and these ...
Most noticeable by his blotched face and rasping voice is Roger Livesey , in turn the chief of the Players , Lucianus in the dumbshow , and the Gravedigger . Courtiers , Players , Sailors , Servants — the actors switch parts , and these ...
Seite 305
The advice to the players was stern and schoolmasterly , and the Player's attempt to lighten the mood with his mock modesty over their indifferent reformation only drew a sharp rebuke from Hamlet and a sneering gesture that identified ...
The advice to the players was stern and schoolmasterly , and the Player's attempt to lighten the mood with his mock modesty over their indifferent reformation only drew a sharp rebuke from Hamlet and a sneering gesture that identified ...
Seite 364
So does the whole of the ' rugged Pyrrhus ' speech , and most of the First Player's reply in the same vein . ... Hamlet is most certainly an actor , and the very full retention of the dialogue with the players asserts this ...
So does the whole of the ' rugged Pyrrhus ' speech , and most of the First Player's reply in the same vein . ... Hamlet is most certainly an actor , and the very full retention of the dialogue with the players asserts this ...
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acting action actor admirable appearance audience beautiful become beginning better Booth called character Claudius close course court critic death direction effect emotion English expression eyes face fact father Fechter feeling final force Garrick Gertrude Ghost Gielgud give given Hamlet hand Henry Horatio idea impression interpretation Irving John Kean Kemble King Laertes later less light lines living London look manner means mind mother moving nature never night observed Olivier once opening Ophelia passion performance perhaps person play players Polonius present prince production Queen question reading reason role scene seems seen sense Shakespeare soliloquy speak speech spirit stage suggested Theatre thing thought tion tragedy turned voice whole York young
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810379708, 9780810379701 |
| Länge | 461 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |