Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 220
modern style is valid only for the dramatic structure of the play . It does not encompass the spirit — the thoughts beyond the reaches of the soul . It does not include the grandeur of “ Hamlet . ” For the narrative is only the ...
modern style is valid only for the dramatic structure of the play . It does not encompass the spirit — the thoughts beyond the reaches of the soul . It does not include the grandeur of “ Hamlet . ” For the narrative is only the ...
Seite 239
He doesn't appear after the second platform scene until the play scene . Hamlet just conjures him up when he wants to have a heart - toheart talk . And Horatio really doesn't say anything except “ yes ” and “ no .
He doesn't appear after the second platform scene until the play scene . Hamlet just conjures him up when he wants to have a heart - toheart talk . And Horatio really doesn't say anything except “ yes ” and “ no .
Seite 260
How is it that a director can , as it were , project his opinions about a play at the same time as presenting the play itself ? Does the play not have its own voice ? How much of the meaning of a play is determined by the author ...
How is it that a director can , as it were , project his opinions about a play at the same time as presenting the play itself ? Does the play not have its own voice ? How much of the meaning of a play is determined by the author ...
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acting action actor admirable appearance audience beautiful become beginning better Booth called character Claudius close course court critic death direction effect emotion English expression eyes face fact father Fechter feeling final force Garrick Gertrude Ghost Gielgud give given Hamlet hand Henry Horatio idea impression interpretation Irving John Kean Kemble King Laertes later less light lines living London look manner means mind mother moving nature never night observed Olivier once opening Ophelia passion performance perhaps person play players Polonius present prince production Queen question reading reason role scene seems seen sense Shakespeare soliloquy speak speech spirit stage suggested Theatre thing thought tion tragedy turned voice whole York young
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810379708, 9780810379701 |
| Länge | 461 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |