Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 220
... play of its tragic impact . ] When a play has been performed , read and commented on as much as Hamlet , the pressure to create a new and sen- sational version becomes both more insistent and harder to satisfy . Michael Langham ...
... play of its tragic impact . ] When a play has been performed , read and commented on as much as Hamlet , the pressure to create a new and sen- sational version becomes both more insistent and harder to satisfy . Michael Langham ...
Seite 239
... play scene . Ham- let just conjures him up when he wants to have a heart - to- heart talk . And Horatio really doesn't say anything except " yes " and " no . " Still he must be a great character of solid- ity who makes a wonderful ...
... play scene . Ham- let just conjures him up when he wants to have a heart - to- heart talk . And Horatio really doesn't say anything except " yes " and " no . " Still he must be a great character of solid- ity who makes a wonderful ...
Seite 260
... play itself ? Does the play not have its own voice ? How much of the meaning of a play is determined by the author , how much by his inter- preters ? There are no simple answers to these questions , but a consideration of some aspects ...
... play itself ? Does the play not have its own voice ? How much of the meaning of a play is determined by the author , how much by his inter- preters ? There are no simple answers to these questions , but a consideration of some aspects ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young