Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 14
... person . " Were there no more to it than this , the in- ference would be clear . But Victor , too , saw Mrs. Porter . She was handicapped , he writes , by " a plain Person and a bad Voice . " She had naturally a tender Voice , which was ...
... person . " Were there no more to it than this , the in- ference would be clear . But Victor , too , saw Mrs. Porter . She was handicapped , he writes , by " a plain Person and a bad Voice . " She had naturally a tender Voice , which was ...
Seite 32
... person seemed to be finely formed , and his manners princely ; but on his brow hung the weight of " some intolerable woe . ' Apart from the expression called up by the situation of Hamlet , there struck me to be in him a peculiar and ...
... person seemed to be finely formed , and his manners princely ; but on his brow hung the weight of " some intolerable woe . ' Apart from the expression called up by the situation of Hamlet , there struck me to be in him a peculiar and ...
Seite 144
... person . Hamlet wildly declares that he will speak to the apparition , though hell itself should bid him to be silent : therefore , says , Mme . Bernhardt , he is " not a weak or languid person . " Hamlet hysterically threatens his ...
... person . Hamlet wildly declares that he will speak to the apparition , though hell itself should bid him to be silent : therefore , says , Mme . Bernhardt , he is " not a weak or languid person . " Hamlet hysterically threatens his ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young