Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 211
... Perhaps he was the first pacifist , perhaps Dr. Jones is sound in his diagnosis of the Oedipus complex , perhaps there is justification in the many other complexes that have been foisted on him - perhaps he just thought too much , that ...
... Perhaps he was the first pacifist , perhaps Dr. Jones is sound in his diagnosis of the Oedipus complex , perhaps there is justification in the many other complexes that have been foisted on him - perhaps he just thought too much , that ...
Seite 372
... perhaps we can distinguish a few basic approaches to the role . Coleridge introduced the idea that Hamlet is a contemplative , a thinker not a doer , who , because he sees the complexity of his situation , finds himself in a quandary ...
... perhaps we can distinguish a few basic approaches to the role . Coleridge introduced the idea that Hamlet is a contemplative , a thinker not a doer , who , because he sees the complexity of his situation , finds himself in a quandary ...
Seite 409
... perhaps , as acting only in a dumb- show and having to re - enter immediately in the play itself , he was expected to walk off by himself . I remember , how- ever , no such loose end in any other dumb - show . Or per- haps the arbour ...
... perhaps , as acting only in a dumb- show and having to re - enter immediately in the play itself , he was expected to walk off by himself . I remember , how- ever , no such loose end in any other dumb - show . Or per- haps the arbour ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young