Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 33
... observed how keenly Kemble inserted an insinua- tion of the King's intemperance , when he said to Horatio and the rest , — We'll teach you to DRINK deep , -ere you depart . [ I.ii.175 ] He restored , with the modern editors of ...
... observed how keenly Kemble inserted an insinua- tion of the King's intemperance , when he said to Horatio and the rest , — We'll teach you to DRINK deep , -ere you depart . [ I.ii.175 ] He restored , with the modern editors of ...
Seite 59
... observed to James Sped- ding that Macready's vigorous frame told against him as a representative of Hamlet , this subtle thinker replied : It may be so — it may be difficult to suppose that Macready would not have killed his uncle all ...
... observed to James Sped- ding that Macready's vigorous frame told against him as a representative of Hamlet , this subtle thinker replied : It may be so — it may be difficult to suppose that Macready would not have killed his uncle all ...
Seite 61
... observed that " Hamlet , Richard , and Macbeth were out of his temperament . " Indeed , Forrest , a coarse , vig- orous man who disdained intellectuals and aristocrats , was ill - suited to represent the effete melancholy of ...
... observed that " Hamlet , Richard , and Macbeth were out of his temperament . " Indeed , Forrest , a coarse , vig- orous man who disdained intellectuals and aristocrats , was ill - suited to represent the effete melancholy of ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young