Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 63
He has great faults ; he rants undoubtedly ; he roars and bellows at times in the most unpleasant manner ; he conceives some parts very differently from my idea of them ; and I never see him without disapproving of many things that he ...
He has great faults ; he rants undoubtedly ; he roars and bellows at times in the most unpleasant manner ; he conceives some parts very differently from my idea of them ; and I never see him without disapproving of many things that he ...
Seite 110
[ 1.11.256-57 ) After having been very quiet and rapid , very discreet , he pronounced these lines in a loud , clear voice , dragged out every syllable as if there never could be an end to his horror and his rage .
[ 1.11.256-57 ) After having been very quiet and rapid , very discreet , he pronounced these lines in a loud , clear voice , dragged out every syllable as if there never could be an end to his horror and his rage .
Seite 226
I have never felt more in sympathy with every detail of the reading of the character , or felt that it has been more faithfully understood as its Elizabethan author created it . This is not to say that he is everybody's Hamlet , and I ...
I have never felt more in sympathy with every detail of the reading of the character , or felt that it has been more faithfully understood as its Elizabethan author created it . This is not to say that he is everybody's Hamlet , and I ...
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acting action actor admirable appearance audience beautiful become beginning better Booth called character Claudius close course court critic death direction effect emotion English expression eyes face fact father Fechter feeling final force Garrick Gertrude Ghost Gielgud give given Hamlet hand Henry Horatio idea impression interpretation Irving John Kean Kemble King Laertes later less light lines living London look manner means mind mother moving nature never night observed Olivier once opening Ophelia passion performance perhaps person play players Polonius present prince production Queen question reading reason role scene seems seen sense Shakespeare soliloquy speak speech spirit stage suggested Theatre thing thought tion tragedy turned voice whole York young
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810379708, 9780810379701 |
| Länge | 461 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |