Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 70
... mind of a true gentleman sadly strained and jarred . Through the whole play the mind is borne on in mournful reverie . It is not so much what he says or does that we observe , for under all , beneath every scene and word and act , we ...
... mind of a true gentleman sadly strained and jarred . Through the whole play the mind is borne on in mournful reverie . It is not so much what he says or does that we observe , for under all , beneath every scene and word and act , we ...
Seite 347
... mind , it was interwoven with flowers scattered so profusely about as to become permanently en- shrined among the memories of every mind which is dedicated to the reception of the prod- uct of undeniable genius , depth , and originality ...
... mind , it was interwoven with flowers scattered so profusely about as to become permanently en- shrined among the memories of every mind which is dedicated to the reception of the prod- uct of undeniable genius , depth , and originality ...
Seite 381
... mind he is tormented , the playfulness which his good - breeding and kindness of heart suggest be mistaken , if words which are capable of two meanings be cynically delivered , and the worst meaning enforced , in- stead of half ...
... mind he is tormented , the playfulness which his good - breeding and kindness of heart suggest be mistaken , if words which are capable of two meanings be cynically delivered , and the worst meaning enforced , in- stead of half ...
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Häufige Begriffe und Wortgruppen
action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death director dramatic Edmund Kean Edwin Booth effect Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoken stage sword Theatre theatrical thing thought tion tone tragedy voice words young