Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 36
... mance , and no other subject , was the leading topic through the remainder of the evening " [ European Maga- zine , November 1783 ] . They talked of his resemblance to his sister . This was a young Hamlet of a " lad - like " ap ...
... mance , and no other subject , was the leading topic through the remainder of the evening " [ European Maga- zine , November 1783 ] . They talked of his resemblance to his sister . This was a young Hamlet of a " lad - like " ap ...
Seite 189
... mance can scarcely be described as an interpretation - Mr Gielgud's Prince may be lacking in consistency , it may in- troduce us to several new Hamlets before the evening is over , but it is almost unfailingly brilliant in its scene ren ...
... mance can scarcely be described as an interpretation - Mr Gielgud's Prince may be lacking in consistency , it may in- troduce us to several new Hamlets before the evening is over , but it is almost unfailingly brilliant in its scene ren ...
Seite 289
... mance was resumed . Instead of marring the evening , this sharing of vicissitude with the actors brought everyone together . Then early in the second act a much heavier rain commenced at just about the time Hamlet was saying , " For if ...
... mance was resumed . Instead of marring the evening , this sharing of vicissitude with the actors brought everyone together . Then early in the second act a much heavier rain commenced at just about the time Hamlet was saying , " For if ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death director dramatic Edmund Kean Edwin Booth effect Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoken stage sword Theatre theatrical thing thought tion tone tragedy voice words young