Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 50
... hand in the vain effort to repress emotion ; the veins thicken in his forehead ; his limbs shudder and quiver , and as life grows fainter , and his hand drops from between his stiffening lips , he utters a cry of expiring nature , so ...
... hand in the vain effort to repress emotion ; the veins thicken in his forehead ; his limbs shudder and quiver , and as life grows fainter , and his hand drops from between his stiffening lips , he utters a cry of expiring nature , so ...
Seite 84
... hands , he murmurs , My father , methinks I see my father ; [ I.ii. 184 ] while there is filial pride in his explanation , with hand upon Horatio's shoulder , He was a man ; take him for all in all , I shall not look upon his like again ...
... hands , he murmurs , My father , methinks I see my father ; [ I.ii. 184 ] while there is filial pride in his explanation , with hand upon Horatio's shoulder , He was a man ; take him for all in all , I shall not look upon his like again ...
Seite 406
... hand to his side , and looked , astonished , at his fingers , as if he had found blood on them . Then he pressed his at- tack on Laertes , " disarmed him in seconde , " and , setting his foot upon the poisoned weapon , offered his ...
... hand to his side , and looked , astonished , at his fingers , as if he had found blood on them . Then he pressed his at- tack on Laertes , " disarmed him in seconde , " and , setting his foot upon the poisoned weapon , offered his ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young