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The actor's final performances of Hamlet , less successful due his age , were given in London in 1872. Two other foreign players who enacted Hamlet before London audiences were Tommaso Salvini and Ernesto Rossi , who opened at Drury ...
The actor's final performances of Hamlet , less successful due his age , were given in London in 1872. Two other foreign players who enacted Hamlet before London audiences were Tommaso Salvini and Ernesto Rossi , who opened at Drury ...
Seite 196
Yet it emerges triumphant over its deficiencies , a capitally paced exercise in the grander melodrama , with its grouping finely conceived and the designing of the big composite scenes , e.g. , the play - scene and the final orgy of ...
Yet it emerges triumphant over its deficiencies , a capitally paced exercise in the grander melodrama , with its grouping finely conceived and the designing of the big composite scenes , e.g. , the play - scene and the final orgy of ...
Seite 368
Still , the final moments of the production saved everything , even for the doubters . One critic describes it thus : And I shall remember the strange final scene when ( after the ferocious duel ) Hamlet thrusts the poisoned cup upon ...
Still , the final moments of the production saved everything , even for the doubters . One critic describes it thus : And I shall remember the strange final scene when ( after the ferocious duel ) Hamlet thrusts the poisoned cup upon ...
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acting action actor admirable appearance audience beautiful become beginning better Booth called character Claudius close course court critic death direction effect emotion English expression eyes face fact father Fechter feeling final force Garrick Gertrude Ghost Gielgud give given Hamlet hand Henry Horatio idea impression interpretation Irving John Kean Kemble King Laertes later less light lines living London look manner means mind mother moving nature never night observed Olivier once opening Ophelia passion performance perhaps person play players Polonius present prince production Queen question reading reason role scene seems seen sense Shakespeare soliloquy speak speech spirit stage suggested Theatre thing thought tion tragedy turned voice whole York young
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Mitwirkende Personen | Gale Research Company |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810379708, 9780810379701 |
| Zitat exportieren | BiBTeX EndNote RefMan |