Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 3
... final night both the unprecedented run and Booth had be- come theater legends , and what an Evening Post critic later termed " the era of Booth " had been inaugurated . After fire destroyed the Winter Garden in 1867 , the actor ...
... final night both the unprecedented run and Booth had be- come theater legends , and what an Evening Post critic later termed " the era of Booth " had been inaugurated . After fire destroyed the Winter Garden in 1867 , the actor ...
Seite 129
... final words of the Norwegian Prince , Fortinbras , who enters with his retinue of warriors . Theatrically , the ap- pearance of Fortinbras is perhaps an anticlimax , but it has a very real dramatic propriety . Throughout the play the ...
... final words of the Norwegian Prince , Fortinbras , who enters with his retinue of warriors . Theatrically , the ap- pearance of Fortinbras is perhaps an anticlimax , but it has a very real dramatic propriety . Throughout the play the ...
Seite 196
... final orgy of duelling and destruction , most effec- tively carried out . The execution of the play - scene , in par- ticular , is masterly , although some of the lines usually deemed " asides " are spoken too publicly . The bungling of ...
... final orgy of duelling and destruction , most effec- tively carried out . The execution of the play - scene , in par- ticular , is masterly , although some of the lines usually deemed " asides " are spoken too publicly . The bungling of ...
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Häufige Begriffe und Wortgruppen
action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young