Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 90
... fact that Fechter did not have to square off against a reigning champion , it would be a mistake to think of him as a David without a Goliath . The recover- able details of Fechter's characterization , together with its reception , make ...
... fact that Fechter did not have to square off against a reigning champion , it would be a mistake to think of him as a David without a Goliath . The recover- able details of Fechter's characterization , together with its reception , make ...
Seite 144
... fact most es- sential to be considered , -for the reason that it indicates all the other facts , -is the fact that this prince , when first encountered , is found to have been contemplating suicide , out of temperamental propensity ...
... fact most es- sential to be considered , -for the reason that it indicates all the other facts , -is the fact that this prince , when first encountered , is found to have been contemplating suicide , out of temperamental propensity ...
Seite 347
... fact the spirit of that great actor had been incarnated anew in a vital , albeit quite individual portrayal . Still another critic , in words of unreserved approval says of his portray- al : In short , it did not on the first glance ...
... fact the spirit of that great actor had been incarnated anew in a vital , albeit quite individual portrayal . Still another critic , in words of unreserved approval says of his portray- al : In short , it did not on the first glance ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young