Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 219
... dramatic critic for The New York Times from 1926 to 1960. Upon his retirement from that post , the Mansfield Theatre in New York was renamed the Brooks Atkinson in honor of his contributions to the theater . His publications include ...
... dramatic critic for The New York Times from 1926 to 1960. Upon his retirement from that post , the Mansfield Theatre in New York was renamed the Brooks Atkinson in honor of his contributions to the theater . His publications include ...
Seite 285
... dramatic point . It won't do to keep it in just because Shakespeare put it in . So what is its dramatic point ? The answer to that depends on whether you think Claudius saw the Dumb Show , or did not . Dover Wilson argued , very ...
... dramatic point . It won't do to keep it in just because Shakespeare put it in . So what is its dramatic point ? The answer to that depends on whether you think Claudius saw the Dumb Show , or did not . Dover Wilson argued , very ...
Seite 340
... dramatic situation and of the title role . No other single characteristic is more typical of popular art . A conception such as this becomes the com- mon possession of the age ; it belongs to high and low . It becomes almost legendary ...
... dramatic situation and of the title role . No other single characteristic is more typical of popular art . A conception such as this becomes the com- mon possession of the age ; it belongs to high and low . It becomes almost legendary ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death director dramatic Edmund Kean Edwin Booth effect Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoken stage sword Theatre theatrical thing thought tion tone tragedy voice words young