Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 30
... critic whose work , typically focusing on characterization , re- flects the influence of Romanticism . One of the first great theater critics , Hazlitt published reviews in the Ex- aminer , the London Magazine , and the Times . Some of ...
... critic whose work , typically focusing on characterization , re- flects the influence of Romanticism . One of the first great theater critics , Hazlitt published reviews in the Ex- aminer , the London Magazine , and the Times . Some of ...
Seite 146
... critic to examine the text and quote to his readers the occasional oddities ( " Wormwood " became " Absinthe " ) and above all , the inadequacy of clear French prose to convey the metaphorical suggestiveness of Shakespeare's poetry ...
... critic to examine the text and quote to his readers the occasional oddities ( " Wormwood " became " Absinthe " ) and above all , the inadequacy of clear French prose to convey the metaphorical suggestiveness of Shakespeare's poetry ...
Seite 177
... critic expressed it , ' fling his feeling across the footlights stirring the emotions of the audience , establishing and maintaining a tension - in them - that leaves him free to go on building to superb and superbly simple climaxes ...
... critic expressed it , ' fling his feeling across the footlights stirring the emotions of the audience , establishing and maintaining a tension - in them - that leaves him free to go on building to superb and superbly simple climaxes ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young