Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 6
... costumes inspired by the Renaissance art- work of Albrecht Dürer and a more elaborate setting than the first production , this rendering emphasized the play's action at the expense of its emotional intensity and charac- terization . To ...
... costumes inspired by the Renaissance art- work of Albrecht Dürer and a more elaborate setting than the first production , this rendering emphasized the play's action at the expense of its emotional intensity and charac- terization . To ...
Seite 230
... costumes are a handsome jumble : mostly rich gold- encrusted Caroline , with flashes of Elizabethan ( Osric in a flurry of bum - freezing mantles ) or 19th - century ( hunt- ing habits for the ladies , with smooth Young - Victoria or ...
... costumes are a handsome jumble : mostly rich gold- encrusted Caroline , with flashes of Elizabethan ( Osric in a flurry of bum - freezing mantles ) or 19th - century ( hunt- ing habits for the ladies , with smooth Young - Victoria or ...
Seite 305
... costumes and makeup for the dumbshow : black leotards , whiteface , minimal white costume accessories . The onstage audience shared Ophelia's bewilderment at the mime , and Hamlet was alone in applauding it roundly and praising it as ...
... costumes and makeup for the dumbshow : black leotards , whiteface , minimal white costume accessories . The onstage audience shared Ophelia's bewilderment at the mime , and Hamlet was alone in applauding it roundly and praising it as ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young