Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 61
... beautiful but unfortunate Mary of Scotland , the murdered Darnley , the paramour Bothwell , and the youthful James were the leading characters , came so vividly to his imagination , that he at once presented the thought to his virgin ...
... beautiful but unfortunate Mary of Scotland , the murdered Darnley , the paramour Bothwell , and the youthful James were the leading characters , came so vividly to his imagination , that he at once presented the thought to his virgin ...
Seite 62
... beautiful illusion . Such was the Hamlet whose pale , thoughtful form occasionally broke beautifully through the hard mannerism of Macready and the exaggerated rant of Kean . Such is the Hamlet of Der- vient , who without the physical ...
... beautiful illusion . Such was the Hamlet whose pale , thoughtful form occasionally broke beautifully through the hard mannerism of Macready and the exaggerated rant of Kean . Such is the Hamlet of Der- vient , who without the physical ...
Seite 111
... beautiful . I saw another woman laugh with a face that had no gleam of mirth anywhere - a face of pathetic and resigned grief . My experiences convinced me that the actor must imagine first and observe afterwards . It is no good ...
... beautiful . I saw another woman laugh with a face that had no gleam of mirth anywhere - a face of pathetic and resigned grief . My experiences convinced me that the actor must imagine first and observe afterwards . It is no good ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young