Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 248
... audience . So one night I went up on the chair . Then that became rather celebrated , that piece , so I thought I'd go one step further and get up on the table too . And it's quite clear that they do listen now , whereas I wasn't sure ...
... audience . So one night I went up on the chair . Then that became rather celebrated , that piece , so I thought I'd go one step further and get up on the table too . And it's quite clear that they do listen now , whereas I wasn't sure ...
Seite 356
... audience remained fixed by Hamlet's frozen figure on stage . Similarly the Ghost's visitation to Gertrude's closet was again via the gangway , so that the audience received as it were a front - face close - up of mother and son as they ...
... audience remained fixed by Hamlet's frozen figure on stage . Similarly the Ghost's visitation to Gertrude's closet was again via the gangway , so that the audience received as it were a front - face close - up of mother and son as they ...
Seite 375
... audience , he flips the pages of his book under the old man's peering nose ; a pause , and then " Words ” , sharp and rudely dismissive ' [ Shakespeare in the Theatre ] . Claudius here was no less a mighty opposite than in the Warner or ...
... audience , he flips the pages of his book under the old man's peering nose ; a pause , and then " Words ” , sharp and rudely dismissive ' [ Shakespeare in the Theatre ] . Claudius here was no less a mighty opposite than in the Warner or ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young