Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 54
... appearance of the Ghost- -armed at point , exactly cap - à - pié ; [ I.ii.200 ] for example ; after Horatio had finished his description of the apparition and attendant circumstances , and added : — And we did think it writ down in our ...
... appearance of the Ghost- -armed at point , exactly cap - à - pié ; [ I.ii.200 ] for example ; after Horatio had finished his description of the apparition and attendant circumstances , and added : — And we did think it writ down in our ...
Seite 64
... appearance in New York of Mlle . Rachel was the reappearance last night of Mr. Forrest , after an absence of four years from the metropolitan boards . When Mr. Forrest was playing his last engagement at the Broad- way Theatre he was ...
... appearance in New York of Mlle . Rachel was the reappearance last night of Mr. Forrest , after an absence of four years from the metropolitan boards . When Mr. Forrest was playing his last engagement at the Broad- way Theatre he was ...
Seite 154
... appearances in this production . In the first act , both in the scenes wherein the Ghost ap- pears to Horatio , the others , and to Hamlet , its presence is indicated only by a shaft of light and a strange elongated appearance on the ...
... appearances in this production . In the first act , both in the scenes wherein the Ghost ap- pears to Horatio , the others , and to Hamlet , its presence is indicated only by a shaft of light and a strange elongated appearance on the ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young