Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
Im Buch
Ergebnisse 1-3 von 88
Seite 229
... Queen , where the production makes a tentative effort to suggest the operation of an Oedipus complex . Ophelia is presented as a maid - in - waiting to the Queen , and thus his neurosis partly attaches itself to her as well as to his ...
... Queen , where the production makes a tentative effort to suggest the operation of an Oedipus complex . Ophelia is presented as a maid - in - waiting to the Queen , and thus his neurosis partly attaches itself to her as well as to his ...
Seite 317
... Queen far more violently , and Virginia McKenna made little of Gertrude beyond establishing a gradual separation from Claudius that culminated in her drinking from the poisoned cup as an act of defiance because he asked her not to ...
... Queen far more violently , and Virginia McKenna made little of Gertrude beyond establishing a gradual separation from Claudius that culminated in her drinking from the poisoned cup as an act of defiance because he asked her not to ...
Seite 354
... Queen . Till that hour comes , time moves on drooping wings . Revenge , revenge ! His version continues with some of the original language mixed in with that of Wilkinson until the confrontation of Hamlet and Laertes . King . ( Laying ...
... Queen . Till that hour comes , time moves on drooping wings . Revenge , revenge ! His version continues with some of the original language mixed in with that of Wilkinson until the confrontation of Hamlet and Laertes . King . ( Laying ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
acting action actor admirable appearance audience beautiful become beginning better Booth called character Claudius close course court critic death direction effect emotion English expression eyes face fact father Fechter feeling final force Garrick Gertrude Ghost Gielgud give given Hamlet hand Henry Horatio idea impression interpretation Irving John Kean Kemble King Laertes later less light lines living London look manner means mind mother moving nature never night observed Olivier once opening Ophelia passion performance perhaps person play players Polonius present prince production Queen question reading reason role scene seems seen sense Shakespeare soliloquy speak speech stage suggested Theatre thing thought tion tragedy true turned voice whole York young