Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 50
... Macready's Hamlet BACKGROUND : • 1821-1851 Although he had enacted Hamlet for years on provin- cial stages , Macready did not portray the Dane in Lon- don until 8 June 1821 at Covent Garden . While even favorable critics noted that a ...
... Macready's Hamlet BACKGROUND : • 1821-1851 Although he had enacted Hamlet for years on provin- cial stages , Macready did not portray the Dane in Lon- don until 8 June 1821 at Covent Garden . While even favorable critics noted that a ...
Seite 56
... Macready , therefore , by uttering " No more ! " not with the natural cadence of a response to his own inquiry but as a further interrogatory - destroys the harmony of Ham- let's course of reflection , and prematurely supersedes the ...
... Macready , therefore , by uttering " No more ! " not with the natural cadence of a response to his own inquiry but as a further interrogatory - destroys the harmony of Ham- let's course of reflection , and prematurely supersedes the ...
Seite 59
... Macready's Hamlet was more discussed [ by contempo- rary critics ] than his Lear . It was urged that the grace of movement was wanting which had given so much charm to the performance of this character by John Kemble . If this was true ...
... Macready's Hamlet was more discussed [ by contempo- rary critics ] than his Lear . It was urged that the grace of movement was wanting which had given so much charm to the performance of this character by John Kemble . If this was true ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young